By order of her majesty, Queen Taylor of Swift, all artistic endeavors henceforth shall carry the title “1989.” It is highly recommended, in the decree, that the works either repeat, verbatim, Her Royal Highness Swift’s lyrics from the inaugural 1989 work or at the very least follow a similar story arc.
Luckily, my novel (formerly titled “William Murphy’s Trip to the Quiet Room“, which was formerly titled “Butterfly“) happens to involve the year 1989 in a significant way.
Laura Murphy, wife of the ex-hockey player, is a plumber, and the demonstration of a work-in-progress project at their home results in an explosion that sends her, her daughter, and her best friend, Eli Whitney (great great granddaughter of the inventor of the cotton gin) hurtling back to 1989 while William and a blacksmith (I can explain, I swear) have to sift through the rubble of William’s life to try and get the family back together again.
Which I think it’s safe to say is sort of the subtext of Taylor Swift’s 1989 album.