Mobilization! Or Maybe Not, This Time

It is a great thing that my writerly ego is larger than the Sahara Desert, because, though I tried, valiantly, to get our local library to host myself (and the kids! I used the cuteness of the kids as an application weapon!) during their local author day, I received word yesterday* that we were not accepted as one of the presenting authors. While in my younger days I would have attempted to mobilize you, the vast internet army that has risen to our call to action in the past, I’m going to give it a pass on this one.

20131115-135847.jpg I’m hoping that gives you fine folks, who’ve been such great supporters, a little well deserved rest. Consider this like a doctor’s note (though I’m not a doctor) to take a little time for yourself. You’re welcome.

Because, who knows, if one of you out there has Mollie Glick’s number or ear** I may be hitting you up to put in a good word for a very nice, very humble author of a little book about butterflies, a retired hockey player, his plumber wife, and Old Sturbridge Village. Amongst other things.

Coming soon to a bookshelf near you.

 

 

 

 

 

 

* This sounds like I got a letter hand-delivered by some sweaty, grimy guy hopping off a horse, taking off his hat and wiping his brow while handing me the letter at the same time. This is not the case.

** Good God I hope not literally.

Thank You — Verano the Fish Bows Out in the First Round

I want to thank all of you who voted for Verano the Fish in the Goodreads Choice Awards.

Unfortunately we didn’t make the cut for the semifinals, but we did gain a few new readers along the way.

Verano 2 (and his little sister, of course)
Verano 2 (and his little sister, of course)

I’m busy trying to get a read-aloud version out, but our voice talent is a bit finicky pickety and have possibly been on strike these last few months, without me realizing it.

So this isn’t the last you’ve seen of Verano, but it’s certainly the last you’ve seen of Verano in the Goodreads Choice Awards.

Thank you, again, and we hope to have something new for you soon.

Go On, Make My Saturday – Vote for Verano the Fish

Listen, there’s only a few hours left, but there’s still time for you, yes, you, to go vote in the Goodreads Choice Awards 2013 for Verano the Fish for Best Picture Book.

You can even download the book, for free, from Goodreads.com! This way you’ll possibly be even more informed than on the ballot where you just pick a name because you’ve seen their name on a lot of signs on people’s lawns*.

Verano in the sea
Verano in the sea, waiting for your vote

 

If Verano gets enough write-in votes today it’ll be listed, alongside with those other excellent picture books, in the semifinals starting November 11th and would fulfill a lifelong dream**.

So log into Goodreads.com, create an account if you need to, and go vote for Verano the Fish! Please?

 

 

 

 

 

 

* NB. This may or may not be how I vote. I am possibly not qualified to be a citizen. But I wrote a decent story about a fish, so I have that going for me.

** In this case, lifelong consists of the last week or so, in which I was made aware of the contest.

Vote for Verano the Fish! He’ll Feed Your Family for a Day!

Update: In the interest of ease-of-use, vote for Verano the Fish here: Best Picture Book category

It’s that wonderful time of year again, the Goodreads Choice Awards season!

Goodreads Choice Awards 2013
Goodreads Choice Awards 2013

This past year (according to the eligibility rules for the award, the year stretches from November, 2012 to November 2013 — this may be fallout from the Mayan Apocalypse) I’ve had two books… not quite published, let’s call them ‘released.’

The History of the Mayan Ball League was the first, coming shortly before the Mayan Apocalypse, which happened and did a real number on book sales, as everyone on the planet perished.

Verano the Fish came out in May, 2013 and is the lovely story of a little fish, his family, and a hapless fisherman. It’s written by me and illustrated by my family, which is good, because I couldn’t illustrate my way out of a paper bag.

Both books are a nice short length and, even better, both are *FREE*! Or at least they are on the platforms on which that sort of thing is allowed. Where I couldn’t make them free I made them as cheap as possible. I really, really wanted to make them more expensive in Belgium, because, well, they know what they did. But I didn’t.

So why am I writing you today, you ask?

Great question.

So I would like to humbly beg that, if you enjoyed either of those books, you would vote for them in the Goodreads Choice Awards 2013.

If you haven’t read them yet, I would humbly beg that you go read the books on your iPad or Kindle or nook or whathaveyou. Read them in your browser, as you can download them both, for free, from Goodreads.com and then, if you like them, go vote for them.

You can vote for Verano the Fish in the Best Picture Book categoryThe History of the Mayan Ball League is more of a Best Humor sort of book.

Both of these books will require a little extra work on your part, and for that I apologize, profusely. You’ll need to write in the entries. Like so:

Writing in Verano the Fish
Writing in Verano the Fish

Same goes for The History of the Mayan Ball League.

And once you’ve done it, like the voting sticker you receive at the booth, you get a nice little pat on the back, social media-style:

I voted!
I voted!

 

So please, go vote for Verano the Fish and The History of the Mayan Ball League at the Goodreads Choice Awards 2013. I have just the thing to wear on the red carpet, and some sparkling acceptance speeches to give.

Do Your Civic Duty and Vote for Verano the Fish!

Get out and vote for Verano the Fish (you’ll have to write it in) for the Goodreads Best Picture Book of 2013, please:

https://www.goodreads.com/choiceawards/best-picture-books-2013

Goodreads Choice Awards 2013

If you’re in Boston, you’re probably already in a voting mood, from the mayoral race, so why don’t you keep on exercising that freedom to show what you really love and care about, even if it’s only the lesser of two or three evils and vote for Verano the Fish?

“Going the Distance” by Michael Joyce: A Review

Michael Joyce is a master at evoking a sense of loss, memory and how unreliable it can be (the line from “afternoon, a story,” the seminal hyper fiction, is a great example: “I want to say I may have seen my son die this morning.”), and connections.

When I read fiction by Joyce I’m most often reminded of someone who’s woven a fine tapestry. Or a rug. He leaves out the strands from the finished cloth for you, the reader, to grab a hold of, and sometimes he’s woven them in tightly, and it takes some work to ferret them out, to realize that you are slowly unraveling the whole story. In a story like “Twelve Blue” he just comes right out and shows you the story that way, the threads running alongside the text you’re reading and you can leap from strand to strand like some reading, hyper monkey. It’s a method of storytelling he can’t help but do.

 

I’d just finished reading The Genie at Low Tide (Ploughshares Solos) [http://savannahnow.com/arts/2013-09-05/story-savannah-author-released-prestigious-digital-first-series#.Ul837xZYV7H], which is another excellent piece of baseball fiction about a retired pitcher with an angel of mercy appearing on his doorstep, when I got an email from Michael Joyce regarding the re-publication of his novel “Going the Distance.” I used to be an assistant in some of Michael’s classes at Vassar College back in the day, and I consider him a friend and mentor, so I may be a little biased. “The War Outside Ireland” is one of my favorite all-time books, and I’ve collaborated on a web-based hyper fiction called “The Sonatas of Saint Francis” with Michael and his wife and Andrea Morris. But…

 

Going the Distance” is an amazing book. You’re left, along with the protagonist, Jack Flynn, to unravel just what it is he’s doing in way upstate New York with Emma, how he got there, what has happened to his family, his career, and even his fans. Michael portrays an ex-pitcher and the era in which he pitched, the people with whom he shared a clubhouse or field so well you forget, for a second, that Jack Flynn is a fictional pitcher, teammate of Sidd Fynch, for all intents and purposes. I loved these sequences and got lost in the intricacies of how a pitcher thinks about the count: “People misunderstood. Oh-and-two was commonly thought a pitcher’s pitch; it wasn’t, not always, not even usually with the good ones.” You could feel how a pitcher thinks, feels, out there, all alone on the mound, even as Jack’s arm begins to feel the toll of all those violent motions, plate-wards.

Let’s just say I’m a sucker for baseball fiction, whether I’m writing it or reading it. But there has been plenty of commentary on how the game lends itself to literature, and Joyce, himself, quotes from A. Bartlett Giamatti’s “The Green Fields of the Mind” to kick the whole thing off, which is the where I’ll leave the analysis of baseball as a suitable fictional setting:

“The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall all alone.”

But what makes the book amazing is that that’s just one thread. It could stand as a pretty good book all on its own as a baseball story, if that were all there were to it. But he weaves in Emma’s story, Wolfman, Restless, the story of aunt Bertie, living life in front of the TV, the story of the whole of Jack’s family, left behind in North Country New York along the river, fastened to the river, it seems, which becomes a character in its own right.

 

It’s a beautiful, lyrical novel, and well worth your time as the baseball season draws towards its conclusion. Or anytime, really.

LitQuake: Calling Off the Dogs

Hey fellas. How are you doing?

First off, thank you for the phone calls, faxes, emails, and cakes, all inscribed lovingly with the same message of support and care in the wake of my omission from the Batter Up! reading up in San Francisco on October 14th.

But the folks at LitQuake, who seem very nice, except a bit deficient in their knowledge of baseball fiction writers who happen to be in their own general vicinity, gave me a call and informed me that, unfortunately, it’s a bit too late to get me onto the program up at the Sports Basement this year.A writing desk So no more need to call them or email them, begging to get me onto the stage. I appreciate the efforts, but this year you’ll just have to wait.

And, if the Red Sox aren’t still playing, I may be at the reading, so if you catch me there I’d be more than happy to do a personalized reading, just for you.

I’ve never been to a LitQuake before, but they have a fascinating list of events lined up, and Christopher Moore alone would be worth the price of admission (free) to the baseball reading. And if it’s anything like a GrubStreet event I’m sure it’ll be well-run with lots of literate-minded folks milling about to get your fires going.

In other news, I’m slogging through the final draft of Butterfly. It’s been a long time in the works, but I think it’s my best work yet, even better than the baseball fiction (some would argue this would not be a very high bar to surpass). So there is a good possibility that someone should just lock me in my room until I finish editing and start getting it sent off like some sort of communicable disease.

A Favor to Ask: LitQuake’s Batter Up! Reading, October 14th, at 7PM

Update: No more: “LitQuake: Calling Off the Dogs

Friends, dear good, great friends. I have a favor to ask of you. Maybe two.

 

“Oh God,” you’re saying, possibly aloud, drawing stares in the internet café in which you’re browsing Facebook. I’ve told you time and time again not to browse Facebook in internet cafés, but there you go, no stopping you. That skeezy guy looking over your shoulder, right now? He was just browsing his portfolio of GE and MSFT stocks seconds ago. I bet that just sends shivers down your spine, doesn’t it? Your spine that he’s likely nearly breathing on, right this very second.

Books, at a reading in Waltham
Books, at a reading in Waltham

 

Anyway.

 

But this favor, possibly two I have to ask of you, don’t panic. It’s the sort of favor that enriches the favor-giver, and, quite possibly, the entire human race. So it’s more like I’m doing a favor, possibly two, for *you*.

 

So I found out, via the incomparable Christopher Moore (@TheAuthorGuy) that the LitQuake folks are holding a reading up in San Francisco that is baseball themed. “Baseball themed!” I can hear you say, “but Matt, oh God, or are you insisting we all call you Matthew now, since that seems to be your writerly brand these days — regardless, Matt, Matthew, *you* write and sometimes read out loud baseball fiction! Surely you’re reading at this event! I can’t wait, I’ll be there with bells on, &c., &c.”

 

But here’s the secret: I’m not. Or, at least, no one’s *told* me I’m reading at this event, and, in my experience, if no one tells you you’re reading at an event you’re probably not supposed to get up on stage and just start reading.

 

Now, I’ll pause for a moment, to let you catch your breath. You okay? You’re not weeping, are you? Look, I’ll be okay. Really. This is part of the favor I have to ask of you. And I am *giving* to you. I want you to help me get on LitQuake’s radar, if that’s what they use, these days, instead of a submission manager like everyone else. I want to be like a tugboat, chugging up the Hudson River of LitQuake’s literary monitoring station. “BLARP!” (That is the literary equivalent/translation of what a tugboat’s whistle might sound like, in print.)

 

I would be honored, chuffed, and over the moon if you would contact the dear folks at LitQuake (http://www.litquake.org/contact-us) and ask them, beg them, promise them your first born (I cannot, sadly, reimburse you for first born children lost as a result of your begging) if Matthew Hanlon, the author of short stories that have appeared in books as diverse as “Fenway Fiction,” “Further Fenway Fiction,” and “Final Fenway Fiction,” all of which happen to be about baseball, could read at this very special, baseball-themed event. The same Matthew Hanlon who has been emailing them and calling them since he found out about the reading two days ago, so they should have his contact info. But, if not, they can email him at sanemagazine@mac.com (yes, this is a throwback for some of you).

 

And that’s it. The end of the first favor, and in which direction I’m still not quite sure it flows, so let’s just say you owe me one.

 

And… speaking of owing me one, hey, how’s about, should I be allowed to read, on stage, at the same general time as the other people reading, about baseball, how’s about you come up to San Francisco, head on over to the Sports Basement, sit down for a while and listen to people read about baseball? Christopher Moore will be there, who is a very entertaining speaker. As will *I*, because of the efforts of good buddies like *you*, who called, faxed, emailed, and semaphored LitQuake to lobby on my behalf. As much as I’ve enjoyed reading to an empty room in such diverse places as the Arlington Center for the Arts and the Charlton Public Library, it would be pleasant to read to friendly faces (and the friendly video phones you’re probably going to be holding up, recording the event like it’s the Dire Straits reunion tour).

 

 

Should all of this work out, I’ll even let you pick what I read! Have a vote in this exciting poll (http://wombatsdigit.com/w/2013/10/poll-reading-material-for-batter-up/) and you, too, can change the very course of history!

 

Thanks for reading.

 

A Small Review of Colin Bateman’s “Dublin Express”

This edition of Dublin Express was a special Kickstarter limited edition Colin Bateman produced himself. [http://www.kickstarter.com/projects/856843652/get-on-board-the-dublin-express]

Dublin Express, by Colin Bateman
Dublin Express, by Colin Bateman

My favorites of the bunch were the title story, “Dublin Express,” “The Case of Mrs. Geary’s Leather Trousers,” which was the start of Colin Bateman’s novel Mystery Man, and the screenplay, “National Anthem.” They’re very typical Bateman humor, very dark, and filled with entertaining characters. Not characters you’d necessarily want to give a hug, but ones you wouldn’t mind sharing a beer with, though possibly from across the room.

The play, particularly, contains the sort of spectacularly hapless characters who attempt to wrestle some control and decorum into their lives, but, due to circumstances and conspiracies beyond their ken, they fail in an entertaining fashion. They’re the sort of characters Colin Bateman excels at writing and make for a great read.

If you have a chance to see it or get ahold of the script it’s well worth picking up.

You're Welcome
You’re Welcome